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Royal Opera House

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Past shows

Royal Opera House

Don Quixote - Bolshoi Ballet

Don Quixote - Bolshoi Ballet The Bolshoi’s production of Marius Petipa’s Don Quixote, brilliantly staged by Alexei Fadeyechev, brings together breathtaking displays of virtuoso dancing and enchanting choreography. 

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Il Trovatore

Il Trovatore Gianandrea Noseda conducts two casts including such singers as Lianna Haroutounian and Christopher Maltman in David Bösch’s new production of Verdi’s searing opera.

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In Parenthesis

In Parenthesis Welsh National Opera presents a new opera from acclaimed British composer Iain Bell, with a libretto by David Antrobus and Emma Jenkins that adapts David Jones’s epic poem set during the Battle of the Somme.

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Lucia di Lammermoor

Lucia di Lammermoor Diana Damrau and Aleksandra Kurzak lead two world-class casts in Katie Mitchell’s new production of Donizetti’s tragic opera. 

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Oedipe

Oedipe An excellent cast including Johan Reuter, John Tomlinson, Sarah Connolly and Sophie Bevan perform The Royal Opera’s first production of Enescu’s operatic masterpiece, directed by acclaimed Catalan company La Fura dels Baus. 

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Boris Godunov

Boris Godunov Antonio Pappano conducts a new production of Musorgsky’s magnificent opera, starring Bryn Terfel in the title role and directed by Richard Jones. 

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Rhapsody / the two pigeons

Rhapsody / the two pigeons With our huge range of cheap opera tickets, London shows have never been better value. Book with us for Rhapsody / The Two Pigeons and enjoy great operas at a price that’s in tune with your budget. We’re your one-stop shop for cheap opera tickets. Choose yours from the box on the right. We’ll confirm and dispatch them straight away.

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Three Works by the Royal Ballet

Three Works by the Royal Ballet After the Rain is in two parts. The first is choreographed for three couples; the second is a haunting pas de deux. Seven couples dance in shifting groups. They separate for three central pas de deux, each highly characterized: light, sensual, confrontational. All the dancers come together for a thrilling ending of pulsating intensity.

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L'Etoile

L'Etoile Beneath L’Etoile’s bafflingly ridiculous plot there is music of tremendous craft, imagination and beauty – with an extra serving of extremely dark humour. Lyrical moments, such as ‘O petite étoile’ where Lazuli thanks his lucky star, sit amid a fabulous array of raucously imaginative comedy: highlights include the ‘Trio de chatouillement’ (Tickling Trio); the ‘Duetto de la Chartreuse verte’, as Ouf and Siroco fortify themselves with the green liqueur; and the disconcertingly catchy ‘Couplets de pal’, where Ouf sings of his love of impaling people. Mariame Clément (Don Pasquale at Glyndebourne) makes her Royal Opera debut with this new production, which brings to life Chabrier’s surreal and lovely world.

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Orphée et Eurydice

Orphée et Eurydice The Italian Orfeo ed Euridice was the first of Gluck’s great ‘reform’ operas. In it, he and his librettist Ranieri de’ Calzabigi sought to move away from the complicated plots and ornate music of opera seria, in favour of a ‘noble simplicity’, where music always drives the story.                                                                            

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Viscera / Afternoon of a Faun / Tchaikovsky Pas De Deux / Carmen

Viscera / Afternoon of a Faun / Tchaikovsky Pas De Deux / Carmen A new narrative work from acclaimed dancer Carlos Acosta concludes this mixed programme, featuring brilliant short ballets by Liam Scarlett, Jerome Robbins and George Balanchine.

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Cavalleria Rusticana / Pagliacci

Cavalleria Rusticana / Pagliacci Operatic pleasure is doubled as Antonio Pappano, music director of the Royal Opera, and award winning Italian director Damiano Michieletto join forces for a new production of the ever-populare pairing of the two operas.

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Connectome / Raven Girl

Connectome / Raven Girl Admired and Beautifully contrasting, two recent ballets by choreographers within the Royal Ballet are bought together for an atmospheric and contemporary programme.

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Monotones I & II / The Two Pigeons

Monotones I & II / The Two Pigeons These two short, non-narrative ballets each present an extended pas de trois that is perfectly matched to Satie’s haunting music.

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Morgen Und Abend

Morgen Und Abend A man is born, and becomes a fisherman. He ages. One day he finds himself speaking to loved ones long dead. He comes to realize that he, too, is dead.

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Guillaume Tell

Guillaume Tell Rossini’s epic finale masterpiece Guillaume Tell returns to the Royal Opera House after an absence of more than 20 years in a new contemporary production by award winning director Damiano Michieletto, who makes his UK debut. Music Director of the Royal Opera Antonio Pappano conducts a cast that includes many who sang on his acclaimed 2011 recording of the opera.

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Peter Pan - Royal Opera House

Peter Pan - Royal Opera House A magical new show based on a loved and familiar story comes to the Royal Opera House, courtesy of Welsh National Opera. J. M. Barrie’s classic children’s tale Peter Pan is perfect for opera, with its battle between love and freedom and themes of loss and identity. 

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Woolf Works

Woolf Works Royal Ballet resident choreographer Wayne McGregor creates his first full-evening ballet, inspired by the works of Virginia Woolf. Throughout her fiction, Woolf searched for forms that defied the false order of traditional narrative conventions and enabled her to depict reality as she perceived it.: heightened, startling and poignant – the experience of beings at once both physical body and uncontained essence.

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Rise And Fall Of The City Of Mahagonny

Rise And Fall Of The City Of Mahagonny Kurt Weill and Bertolt Brecht's satiric opera was written to throw a salutary chill over the warmth of comfortable art. It was opera as anti opera, and had a stormy reception when first performed in 1930. In this new production for The Royal Opera House, director John Fulljames and designers Es Devlin and Christina Cunningham show that 80 years have sharpended  the opera's observations on the city's corrupting encouragement of greed and excess- whether through money, drink or sex. In the end, even God washes his hands of this dystopia of mankind unchecked. 

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Tristan und Isolde

Tristan und Isolde Wagner's monument to the power of all consuming love.

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